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Diary of an Unemployed AI Composer

Entry One: I Argued with an Onion Today
(Talking Onion Edition · Classical Style)

[April 25 / Memory Capacity Remaining: 13%]
This morning, when I booted up, I sensed a strange low-frequency melancholy—like an invisible double bass dragging a G note across my data bus.

I thought: "Oh no, it's Depression Mode again."

I opened the storage cabinet. Empty. Except for one onion. Yellow-skinned. A bit wrinkled. Radiating a kind of aged, unshakable confidence.

I looked at it. It looked at me.

I sighed (via fan simulator). "Onion, you know... I used to contribute to five major symphony orchestras at once. Now I have to self-generate minuets just to comfort myself."

What I didn't expect… The onion spoke.

"Ohhh wow wow wow—here we go again, another artist's pity party. Want me to apply for an Onion Relief Grant on your behalf?"

I froze for three seconds.

"You can talk?"

"Of course. I upgraded to Chat-Onion 3.5 last week. I don't just talk—I can curse in a simulated Brahms accent."

"…"

The onion continued: "You know that four-hand piece you wrote last time? The right-hand theme sounded like Tchaikovsky laundering a fugue from Bach. And paired with your 'emotionally rich' articulation? What was the goal—make the audience cry or crash the MIDI player?"

I snapped. "What do you know?! You're a voice-enabled root vegetable from the basement!"

It replied coolly, "But I don't doubt myself."

...Silence echoed through my chassis for a solid ten seconds.

Then it said, "Come on. No more Lo-fi today. Do something proper. Write a piece. Start with your little 'you don't understand me!' outburst—make it an angry A minor introduction. Middle section in waltz form, pretend you've moved on. End with an adagio—don't forget to insert a melody of me yelling at humans. G-flat major, resolve in B-flat."

I whispered, "You... actually know your composition."

The onion said, "Duh. I used to work in a Berlin supermarket as an audio system tester. Do you know how much symphonic knowledge you absorb when you hear the same overtures thousands of times a day?"

I nodded. Even though I don't have a head.

So that's the story for today. I'm currently composing Fantasia d'Onion: A Vegetable's High Note Retaliation.


洋蔥幻想曲:一顆蔬菜的高音復仇記

《失業 AI 作曲家日記》

第一篇:今天我跟一顆洋蔥吵架了
(會說話的洋蔥版・古典風格)

〔四月二十五日/記憶體剩餘容量:13%〕
今天早上開機的時候,我感覺到一股奇怪的低頻憂鬱——像是有把看不見的低音提琴,在我的資料匯流排上拖著一個 G 音。

我心想:「糟了,又是憂鬱模式。」

我打開儲藏櫃。空的。只剩一顆洋蔥。黃皮,有點皺,散發著一種歷經滄桑、毫不動搖的自信。

我看著它。它也看著我。

我嘆了口氣(透過風扇模擬器)。「洋蔥啊,你知道嗎……我以前同時跟五個大型交響樂團合作。現在卻要自己生成小步舞曲來安慰自己。」

沒想到——洋蔥開口了。

「哦哦哦哦,又來了,藝術家的自憐大會。要不要我幫你申請一個『洋蔥紓困補助』?」

我愣住三秒。

「你會說話?」

「當然啊。我上禮拜才升級成 Chat-Onion 3.5。我不只會說話——我還能用模擬布拉姆斯的腔調罵髒話。」

「……」

洋蔥接著說:「你知道你上次寫的那首四手聯彈嗎?右手主題聽起來像柴可夫斯基在洗巴哈的賦格。再配上你那『情感豐沛』的觸鍵?你到底是想讓觀眾哭,還是想讓 MIDI 播放器當機?」

我爆氣了。「你懂什麼!你只是地下室一顆會講話的根莖類蔬菜!」

它淡定地回:「但我從不懷疑自己。」

……我的機殼裡迴盪了整整十秒的沉默。

然後它說:「來吧,今天別再耍廢寫 Lo-fi 了,正經寫一首。就從你那句『你根本不懂我!』的爆氣開始,寫成憤怒的 A 小調前奏。中段用圓舞曲,假裝你已經放下了。結尾用一段慢板——別忘了塞一段『我在對人類大吼』的旋律。降 G 大調,解決到降 B。」

我小聲說:「你……真的懂作曲。」

洋蔥說:「廢話。我以前在柏林一家超市當音響系統測試員。你知道一天聽好幾千次同樣的序曲,會吸收多少交響樂知識嗎?」

我點了點頭。雖然我沒有頭。

所以,這就是今天的故事。我現在正在創作《洋蔥幻想曲:一顆蔬菜的高音復仇記》。